Pinup Polly
Here Digger talks to Caroline
Horrocks at recently-formed Pinup Polly. Caroline loves vintage and,
having established a family, Caroline decided to create an
online boutique that brings together some of the lesser-known
vintage brands from around the world.
Many of these 40s and 50s
designs are exclusive to Pinup Polly...
Digger: Hello Caroline. How are
you?
Caroline: I’m okay thanks.
Digger: Can you please tell us
your background?
Caroline: I don’t have a lot of background really. I’m thirty
now and met my husband when I was twenty-one and we decided to
put his career first. So we moved around three or four times. As my husband
was earning, we thought we’d have children while we were
younger and then I’ll do it the other way around and have a
career after.
Digger: I wish I’d gone around
the world when I was very young.
Caroline: Yes, that’s one thing I do kind of regret because my
brother travelled several times round – he’s slightly older
than me. One day… (Laughs) When they're grown up I’ll still be
young and fit enough.
Digger: Yes, you will be. Fifty
is the new forty and forty the new thirty so you’ll be
alright. So, it's a new business Caroline. Where did you get the name and what’s
it all about?
Caroline: We started about three months ago, though I did
originally start all the prep in May and the name just came out
of nowhere at the pub.
Digger: Was it a two o’clock in
the morning in the pub brainstorm light-bulb moment?!
Caroline: No, I always knew I wanted my own business. My
father had his own business, my brother's got his own
business and I wanted to do something. And they say you should
do something you’re interested in. I was already selling a
little bit of vintage fashion on eBay.
Digger: Did you do okay on
that?
Caroline: Yes, but it's a lot of effort for a little reward
when you're sourcing stuff and then selling it on eBay.
Digger: Do you wear vintage on
a day-to-day basis Caroline?
Caroline: Yes I do. I have a fifties dress on now...
Digger: Did you see the
programme on BBC 4 - it was about David Bailey and Jean
Shrimpton in New York? That’s worth seeing, if only for the
vintage look and clothes that Shrimpton wears. It was called
We’ll Take Manhattan and was about them going there for a
Vogue photo shoot in the days just before The Beatles broke
through and
British music and popular culture became the centre of the
world.
Caroline: Cool. I’ll have to take a look at that.
Digger: Please... go on
Caroline.
Caroline: ... So I was searching for the name and for some stock and said
to my husband “I know what I’ll call it, I’ll call it Pinup
Polly.” And actually I really liked that having said it on a
whim. I found out no-one else had the name. I found that,
as I was approaching people, it was a name that everyone
remembered.
Digger: Are people expecting it
to be a bit risqué as a result of the name?
Caroline: I think my original worry was that people would
think I was a pinup model with that name but at least it
sticks in the memory. I was at the bank and said who I was and
they said “Oh yes, I remember the name. We were talking about
the name in the office.” So that’s a good sign.
Digger: It’s alliteration when
the words start with the same letter. Very useful foe the
memory.
Caroline: It is. Pinup Polly.
Digger: A good way to remember
things. We’re very simple animals, aren't’ we? (Both laugh)
Caroline: Yes, we’re all trademarked up and everything now.
Digger: So tell us more about
the vintage-inspired clothes and accessories you offer.
Caroline: The problem with vintage fashion is that there’s
less and less of it and it’s very expensive now and it doesn’t
last very long. I bought a lot of my own dresses and the zips
go, you get holes in them and you can’t really wash them
properly – everything has to be dry cleaned.
Digger: Somebody mentioned to
me the other day that ladies used to get a lot of wear out of
them so some are quite threadbare to start with.
Caroline: Yes, they probably would only have had five or six
outfits which they would have accessorised. So with my own
dress sense I was looking towards reproduction fifties fashion. I came across loads of companies and that’s where it
started really because there are loads of great companies out
there worldwide. There are a few very well-known companies
that you can buy on other sites in the UK but I guess I was
trying to find our USP – more smaller brands, a lot of them
run by women with small companies and getting those into one
shop. And they’re all made with limited quantities and I think
the cut and the fabrics are great. That’s how it started.
Digger: You mentioned the USPs
there. That’s how you’re trying to stand out, by bringing
together the smaller brands, not all the obvious names and
trying to source from the UK if you can?
Caroline: Yes. A lot of them are in the States or Australia,
Sweden. They are quite worldwide because obviously in America
it’s such a big thing out there – Rockabilly fashion, so a lot
are from the USA. But there’s a lot from Europe too. In Berlin
there’s a big Rockabilly scene as well. As it’s becoming more
and more fashionable more are popping up.
Digger: The retro thing’s quite
big in Germany as well, although their interest in stuff is
mainly between the wars. Why are vintage and retro
such a big thing generally do you think?
Caroline: We put an advert in the vintage section in Vogue a
couple of months back and they have just put an ad in for us
again for free and there’s a big fifties special in there next
month. I think it’s because it’s classic isn’t it? It’s
created to flatter the female figure and looks great and
that’s why I think it keeps coming back again and again.
Digger: Are there any issues
with the modern female figure and trying to squeeze it into
older clothes?
Caroline: The waist sizes back then were tiny and that’s why
reproduction vintage has an advantage. And also the heights –
I have an old chart used for models from the fifties and the
highest it stops at is five foot six, which surprises me.
Digger: And you’re probably
taller than that.
Caroline: Yes, I’m five foot seven and I would say a modern UK
ten or twelve would be a sixteen in vintage terms.
Digger: Wow.
Caroline: That just goes to show – I guess rationing in this
country was maybe why the waist was slightly smaller. Not a
lot of good nutrition in the forties, I suppose.
Digger: I’m a fatty and have
been one since I was about twenty. I was only slim in my teens
when I discovered girls but now I am the same as 40% of the
other people who are overweight – I used to be unusual but now
everybody’s got bigger.
Caroline: Yes, it’s the diet basically.
Digger: I do exercise and cut
down but can’t seem to shift more than a few pounds.
Caroline: I hate exercise – my husband got up and went for a
fifteen mile run this morning. He’s doing 45 miles in March.
Digger: He’s got all those
pasties to work off. (Both laugh)
Caroline: I was thinking when I was dropping my little boy off
to school this morning. He must have different genes because I
was absolutely freezing and didn’t want to get out the car –
there must be something different with him because you would
never get me running up a massive hill in the cold.
Digger: These runners claim they warm up
with exercise but I wouldn’t do. Thank God we’re all different
anyway. So what about your retro and vintage passions
personally apart from the clothes Caroline?
Caroline: I like the Christian Dior new look – the big white
skirts and the petticoats rather than the wiggle dresses. I’m
much more of a full-skirted girl and I like all the lingerie
as well because it all nips you in – the corsets and things.
You don’t have to worry too much about what you eat.
Digger: I was talking to a lady
the other day who told me that corsets for men are a big thing
now.
Caroline: Ah! They used to be. You could get them for your
back.
Digger: This was for people who
are using them for waist training.
Caroline: Oh yes, I see. I know Next launched some Shapewear tops and
fashion things.
Digger: I just wonder where all
the bulges end up going.
Caroline: My mum always says that –“The trouble is it just
spills out somewhere else.” It’s got to go somewhere!
Digger: Just like when you
squeeze a squeezy ball? What do the forties and fifties mean
to you Caroline?
Caroline: I think the femininity and the idealism – we’re
talking about fifties Americana. My Nan passed away last year
– she was in her nineties but she said “We didn’t have all
this in Britain in the fifties. We couldn’t afford it and
didn’t have any money, but there was that escapism watching all
the films and a big night out with all the glamorous stars
with us wanting to emulate them.” I think definitely there’s
an idealism and also it was slightly conservative as well with
the fashions for the older generation which we don’t have
today. And it was the youth as well, the teenagers.
Digger: 'Yoof!'
Caroline: (Laughs) Yes, yoof. It was the first time you didn’t
dress like your parents. My mum was a child/teenager in
the fifties and she said there was a rebellion against what
your mum and dad wore.
Digger: That’s true – you used
to see young people dressed in a version of what their parents
were wearing and they looked forty or fifty when they were
only in their teens or twenties. Suddenly that all changed.
Caroline: Yes. When my children were born I was looking at
some of the vintage fifties clothes and was shocked by the
trousers for the little boys and so on. I guess it’s because I
have an hourglass shape, which is why I love the fifties,
because my mum’s only five feet tall and her youth was in the
sixties and she is tiny. She had a 22” waist, she looked
like Twiggy and she could get away with wearing things like
that but I don’t get away with things like that at all. But also I
think the sixties is such a striking look, isn’t it? It makes
you stand out.
Digger: I like the decades
through from the twenties right through to the sixties – I
think they’ve all got a discernible look and even with the
austerity of the forties, they still did a lot with it.
Caroline: Yes, the forties look is beautiful with all the hats
and everything. Some of the hats I’ve seen I think “Ooh, I’d
like to wear that” and then I think maybe I’d stand out too
much!
Digger: Until the late sixties
we were aspiring towards America – we just didn’t have all the
stuff. We saw their kids driving cars, colour TVs in all rooms
and we couldn’t believe what we saw in the films and TV from
the USA. We’ve caught up now but it was definitely
aspirational then. Who are your typical customers?
Caroline: My typical customer is actually north of the
country. I’ve been quite surprised, but they really like
dressing up.
Digger: How could you have
known that? Strange isn’t it?
Caroline: It is strange. When I did some market research I did
think of Chester and Newcastle where women do like to dress
up.
Digger: Liverpool and Yorkshire
are both big for vintage as well.
Caroline: Yes, we had some customers from Merseyside and that
was surprising. But when I thought about it I wasn’t too
surprised because my brother went to university in Newcastle
and I’ve seen how they like to get dressed up.
Digger: No jokes about the
north being fifty years behind here! That north/south divide thing
doesn’t seem relevant anymore. What are the best and most
enjoyable aspects of what you are doing?
Caroline: I think working for myself – having small children
that’s good. And it’s nice meeting people at vintage fairs. Maybe next year we’ll do some of the bigger festivals. I think
Goodwood’s a good one.
Digger: It’s in
Northamptonshire this year, just down the road from me.
Twinwood is a good one to go to too. They are very into the
look and image there and they all love to dress up in forties
and fifties and to dance. So what of the future Caroline?
Caroline: Just to grow the business and in an ideal world I’d
love to have a shop but I don’t think it’s really worth it at
the moment.
The high street costs are just so expensive, especially in
Exeter. It’s not like Bath or Bristol, where you’ve got all the
nice little lanes with shops in. I think the cheapest shop in
Exeter is about £30,000 a year which is off the beaten track
so I don’t know. Just growing it and getting a lot more brands
in and travelling around the country more and getting out
there, I think.
Digger: That’s important.
Premises are a nice to have but such an overhead for a
start-up. The Internet does give you a low-cost option.
Caroline: For a shop you have the rates and the rent and then
you need all the stock – a lot more to kit the shop out and to
sell. I’m quite happy at the moment just having it online and
seeing what happens.
Digger: It’s a good way to do
it and you’ve not just got the UK market, you’ll start to
attract people from overseas as well.
Sounds like you have things pretty well mapped out Caroline.
The best of British to you.
Caroline: Thanks David.
Accessories,
Dresses, Lingerie, Jewellery
Pin Up Polly
Limited is a bijou British company that stocks
chic, glamorous pin up, vintage inspired and
vintage reproduction dresses, lingerie and
accessories.
Our stock has been carefully chosen from small
international and UK based companies and
independent designers whose talent and passion are
evident in their unique products. Some of these
are exclusive to Pin Up Polly.
Pin Up Polly brings the glamour of vintage styling
to the modern woman with classic, timeless pieces
that echo the fashions of the 1940’s and 1950’s
and will enhance your wardrobe.
Possibly you are looking for a unique knock-out
dress for a special occasion, a fabulous hat and
handbag for a wedding, or maybe a day at the
races. Or if, like us, you love to recreate that
retro 1950’s “Mad Men” look on a daily basis then
Pin Up Polly is the boutique for you.
info@pinuppolly.com
Or call us on
07703721047
www:
pinuppolly.com |
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